![]() ![]() In Norse mythology, the ouroboros appears as the serpent Jörmungandr, one of the three children of Loki and Angrboda, which grew so large that it could encircle the world and grasp its tail in its teeth. Seal of the Theosophical Society, founded 1875 Ī 15th-century alchemical manuscript, The Aurora Consurgens, features the ouroboros, where it is used among symbols of the sun, moon, and mercury. The chrysopoeia ouroboros of Cleopatra the Alchemist is one of the oldest images of the ouroboros to be linked with the legendary opus of the alchemists, the philosopher's stone. Its black and white halves may perhaps represent a Gnostic duality of existence, analogous to the Taoist yin and yang symbol. The famous ouroboros drawing from the early alchemical text, The Chrysopoeia of Cleopatra ( Κλεοπάτρας χρυσοποιία), probably originally dating to the 3rd century Alexandria, but first known in a 10th-century copy, encloses the words hen to pan ( ἓν τὸ πᾶν), "the all is one". 400 CE) describes the ouroboros as a twelve-part dragon surrounding the world with its tail in its mouth. In Gnosticism, a serpent biting its tail symbolized eternity and the soul of the world. Early alchemical ouroboros illustration with the words ἓν τὸ πᾶν ("The All is One") from the work of Cleopatra the Alchemist in MS Marciana gr.
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